Explore the Masterpiece
Magsaysay-Ho leverages Post-Cubism and modern abstractions, using angular shapes, expressive lines, and stylized geometry to break away from traditional romanticized realism.
The baskets, fish, and crabs represent the abundance of local resources, while the coordinated labor of the women emphasizes communal unity, sisterhood, and joint resilience.
Unlike classic depictions of quiet domesticity, her portrayal spotlights the industriousness, strength, and vibrant, hard-working spirit of rural Filipina women.
Anita Magsaysay-Ho
A Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches.
She was the only female member of the "Thirteen Moderns," a pioneering group of Filipino modernist artists. In 1958, she was recognized by a panel of experts as one of the six major painters of the country's history.
Her most celebrated works masterfully capture the beauty, collective power, and grace of Filipino women negotiating everyday struggles. Today, her prestigious collections are housed globally and across major museums in the Philippines.
Watch Video Guide
"I know very well the strength, hard work, and quiet dignity of Philippine women, for I am one of them."— Anita Magsaysay-Ho
Artwork Information
| Alternative Title | Women with Baskets, Fish, and Crab |
| Medium | Oil on Canvas |
| Created | Circa 1980 |
| Movement | Post-Cubism / Social Realism |
| Historical Note | Sold for a historic ₱53 Million at auction in 2021. |
Quick Art Challenge
Test your attention to detail!
Question: Anita Magsaysay-Ho was the sole female member of which historic group?